May 09 saw the launching of "Makers and Designers" an exhibiting studio furniture group based in Brisbane Australia. I exhibited a new piece called Matrix, reasonably simple construction, 30mm machined Jarrah, half lap joints, 8mm toughened glass and an oil finish. Sequence of construction is also very simple, set out the basic parameters, run your lengths, cut most of the joints and oil. The interesting aspect of this design is the assembly. Most furniture pieces involve a lot of planning, drawing and conflict resolution. Me personally find this process a little tedious and lacks spontaneity. I have always sought expressionism in my work and the nature of this piece allows that. How? very simple, the assembly happens on the day thus is dependent on other factors besides the original drawings; mood, weather, time, how many children are about, etc all play a role. The piece allows the maker to express themselves at that moment. My first attempt at the piece saw me using a more traditional approach whereby setting it all out, holding bits in place with clamps and becoming utterly confused. On the Matrix it is best to throw all that away and just put it together as it seems right.Tuesday, July 14, 2009
The Matrix
May 09 saw the launching of "Makers and Designers" an exhibiting studio furniture group based in Brisbane Australia. I exhibited a new piece called Matrix, reasonably simple construction, 30mm machined Jarrah, half lap joints, 8mm toughened glass and an oil finish. Sequence of construction is also very simple, set out the basic parameters, run your lengths, cut most of the joints and oil. The interesting aspect of this design is the assembly. Most furniture pieces involve a lot of planning, drawing and conflict resolution. Me personally find this process a little tedious and lacks spontaneity. I have always sought expressionism in my work and the nature of this piece allows that. How? very simple, the assembly happens on the day thus is dependent on other factors besides the original drawings; mood, weather, time, how many children are about, etc all play a role. The piece allows the maker to express themselves at that moment. My first attempt at the piece saw me using a more traditional approach whereby setting it all out, holding bits in place with clamps and becoming utterly confused. On the Matrix it is best to throw all that away and just put it together as it seems right.
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